The British Film foundation has launched a new project that reveals hidden histories and forgotten stories of people and places from the UK’s key film and TV archives.
 From today the archives go digital on BFI Player, giving everybody in the UK free  access to 1,000s of film and TV titles featuring where they live, grew up, went to school, holidayed as a child, or any place of interest in Britain.

 By 2017, thanks to National Lottery funding and the support of the Esmée Fairbairn Foundation, 10,000 film and TV titles from 1895 to the present day will be digitised. The public can get involved with the project via Twitter and Facebook, with a campaign launching today that sees 60 films from all over the UK released over 60 days, and special screenings, events and partnerships across the UK. Also announced today is a newly-commissioned film from Penny Woolcock, using Britain on Film material.
Culture Minister Ed Vaizey said “Britain on Film is a fantastic initiative and I congratulate the BFI and the national and regional archives on the huge amount of work they have put into creating a truly remarkable project. I’m particularly delighted that Britain on Film will be reaching the British public in so many different ways this summer all over the UK, and encourage everyone to check it out online via the BFI Player.”

Through the project, Britain on Film curators have found extraordinary footage of ordinary people and places from across the collections. These include:
The Passmore Family Collection, the world’s earliest known surviving home movies (1902) feature 10 films of the family on holiday in Bognor Regis and The Isle of Wight and at home in Streatham, London. 

Michael Passmore, the filmmaker’s grandson, still has his grandfather’s original camera purchased in 1900 and now lives in Kent. Michael said “I am very proud of my grandfather’s films; they have such a lot of movement and are never boring. The films capture the joys of family occasions and holidays so beautifully. I am delighted that they will be able to be shared with the rest of the country and hope they will continue to give pleasure to anyone interested in the history of home movies.”

Among the gems captured are scenes shot at Chester on the River Dee in 1901) during the Chester Regatta of 1901 by the pioneering duo Mitchell and Kenyon.

The newly accessible film and TV presents a Britain that is vibrant, diverse and eccentric, whilst shining a light on issues and situations that affect every generation. Many of these films have never – or rarely – been seen since their first appearance and can now be searched for by specific UK locations through BFI Player’s ground-breaking new Film and TV Map of the UK, which also enables people to share films with their family, friends and communities.
While researching the project, Heather Stewart, Creative Director, BFI, discovered her great grandmother, grandmother and mother together on film in scenes from Children’s Excursion (1952) featuring Moniaive in Dumfries and Galloway, the village she grew up in.
Heather said “I’ve never seen my family on film before so it was a wonderful surprise to discover three generations together. There’s a perennial joy in location spotting; couple this with the emotional power of film and Britain on Film has the potential to touch everyone in the UK. 
Britain on Film changes the film and TV archive landscape forever. It’s vital that the UK’s film and TV archives – Britain’s national collection – can be enjoyed by everyone, and now they can. The unprecedented scale of this project is a testament to the collaborative effort and skills of the BFI National Archive and the regional and national archives of the UK.”
Through Britain on Film, a moving and intimate portrait of the diversity of British life is revealed by professional and amateur footage of vanished landscapes, urban and rural communities, historic traditions and folklore, people at work and at play, and British characters in all their unique glory. Newsreels, advertisements, home movies, forgotten TV shows, and films by government departments all offer surprising insights into British life in the 20th century.
Robin Baker, Head Curator, BFI said “For 120 years cameras have captured almost every aspect of life in the UK on film, but too often these have been inaccessible to all but the most determined researchers. Now, Britain on Film is transforming access to films from the UK’s archives and giving new life to them by making them available, no matter where you live.”
Britain on Film is the result of the BFI National Archive and the UK’s national and regional film archives and rights holders joining forces to bring these films together with a major programme of curation and digitisation that started in 2012 and continues until the end of 2017.

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