Full casting is today announced for HOME’s major new production of Jean Genet’s The Maids, between Friday 16 November – Saturday 1 December 2018.

Based on the true story of murderous duo The Papin sisters, Genet’s infamous The Maids is a radical modern classic. Well ahead of its time, it explodes with contemporary ideas about class conflict, sexual identity, and political outcasts.

In the title roles at HOME are Jake Fairbrother as Claire and Luke Mullins at Solange. Jake’s many theatre credits include The Lady From The Sea (Donmar Warehouse), Twelfth Night (Crucible Theatre), The Last Days of Troy (Globe Theatre and Royal Exchange Theatre), Macbeth (Cheek By Jowl), A Life of GalileoThe Orphan of Zhao and Boris Godunov (all Royal Shakespeare Company) and Hamlet (National Theatre). His films roles include SkyfallStratton, and Sandcastle, and on TV has appeared in NW and Holby City.

Luke’s equally illustrious theatre roles in both the UK and Australia include Rosencrantz & Guildenstern Are Dead (The Old Vic), Waiting For Godot (The Barbican), The Glass Menagerie (Belvoir St and Malthouse Theatres), Endgame (Melbourne Theatre Company) and Angels in America (Belvoir St). Television credits include New Blood (BBC) and Reef Doctors (Network Ten).

Danny Lee Wynter completes the cast in the role of Madame. His theatre credits include Cell Mates (Hampstead Theatre), Forty Years On (Chichester Festival), The Glass Menagerie (Nuffield, Southampton),ComusBedlamHenry IV Part IHenry IV Part IIKing Lear, and The Front Line (all Shakespeare’s Globe), and The Miser (The Royal Exchange). His TV credits include Walliams and FriendsThe Dreams of Bethany MellmothPartners In CrimeEpisodesMr StinkLutherJoe’s Palace and Capturing Mary. Danny is also a Founder of The Act For Change Project which aims to strengthen diversity in the live and recorded arts.

HOME transforms its main house theatre for The Maids into the round for the first time. Building over the stalls seating area, the stage will be raised up to the height of the circle – and audiences will be able to watch from both on and off the stage in a specially built seating area.

Genet wrote The Maids in 1947 whilst serving a prison sentence, as an imaginative and intellectual escape. Premiering the same year, Genet’s chilling tale follows the story of a pair of maids who create violent, darkly humorous fantasies while dressed in the opulent clothes of their mistress. Indulging in theatrical re-enactments of the power structures which define their lives, the line between make-believe and reality becomes increasingly distorted, as it becomes clear that the aim of the game is murder…

Lily Sykes is making her HOME directorial debut, having spent most of her professional career in Germany. A graduate from Oxford in German literature and philosophy, Sykes worked from 2009-2012 as a director’s assistant at the Schauspiel Frankfurt, and also regularly supervised her own directing projects in that time. Since 2012 she has directed for the Deutsches Theater Berlin, the Berliner Ensemble, the Schauspiel Frankfurt, the Schauspielhaus Zürich, the Schauspielhaus Graz, the theatres in Oberhausen, Osnabrück, Lübeck and Münster, and the Studiotheater Berlin.

She comments: “With the political climate in the UK and around the world as it is, a story about two opposing classes, whose antagonism is fuelled by their inability to understand each other, resonates strongly. In the prison of social conditioning, the only escape open to these characters is through violent action. I’m very excited to be directing this play, which has all the utopian and subversive power which theatre can have, in the UK and to bring it to Manchester in particular.”

Martin Crimp’s translation of The Maids was first staged at the Young Vic in 1999. His new play, When We Have Sufficiently Tortured Each Other – Twelve Variations on Samuel Richardson’s Pamela, starring Cate Blanchett and Stephen Dillane, opens at the National Theatre in 2019.

Alongside the main house theatre production of The Maids, HOME is delighted to announce its accompanying France Now season in its Theatre 2 space between Tuesday 27 November 2018 – Saturday 1 December2018. Following the success of its previous Berlin Now and Cuba Now seasons celebrating thrilling, emerging work from these regions, HOME invites three young companies to take a close-up look at life on the other side of the Channel with three contrasting performances all highlighting the charms and challenges of life in France.

Ballet Bar is the hit show from Off Avignon Festival in France, featuring a company of six hip-hop dancers who mix mime, physical comedy, acrobatics and a century of dance styles inspired by Calypso, Charleston, Tango and Electro. Charming play for all ages J’ai Trop Peur (I’m So Scared), written and directed by David Lescot, is a heart-warming, adolescent drama about the challenges of friendship, school and growing up. It was commissioned by the Theatre de la Ville and has toured extensively throughout France.

Concluding the season is Submission, a newly commissioned adaptation, directed by Teuknie. Written by Michel Houellebecq, France’s best-selling controversial author, it imagines a France of the near future under Islamic rule following the election of a Muslim president. This provocative, clever and mischievous piece, performed as a Scratch Performance, offers a profound reflection and satire on the lack of faith and meaning in western society.

France Now is kindly sponsored by the Institut Français du Royaume Uni as part of the En Scène! Programme – helping to present work across Greater Manchester by some of France’s leading artists covering all spectrums of performing arts.


The Maids (https://homemcr.org/production/the-maids)

·         Fri 16 Nov 2018 19:30

·         Sat 17 Nov 2018 19:30

·         Mon 19 Nov 2018 19:30

·         Tue 20 Nov 2018 19:30

·         Wed 21 Nov 2018 19:30 (press night performance)

·         Thu 22 Nov 2018 19:30

·         Fri 23 Nov 2018 19:30

·         Sat 24 Nov 2018 14:0, 19:30

·         Tue 27 Nov 2018 19:30

·         Wed 28 Nov 2018 14:00, 19:30

·         Thu 29 Nov 2018 19:30 (caption-subtitled performance)

·         Fri 30 Nov 2018 19:30 (audio-described performance, preceded by touch-tour 18:15)

·         Sat 1 Dec 2018 14:00 (BSL-interpreted), 19:30


£10 – £26.50 (concessions available).


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